New year’s eve wander

OLYMPUS DIGITAL CAMERA

Well happy new year to you. My new year will be largely taken up with restocking after a bumper set of Christmas markets and starting to think about moving house, which means decluttering, DIY and such like to make our current house look as desirable and saleable as possible. Hopefully I’ll still have time for some photography in between.

In the meantime here are a few shots I took on a local wander around the back lanes where I live on new year’s eve. I put my Olympus OMD-EM10 into JPEG mode and black and white, just to see what would happen. As usual when I do such things I was surprised that I got several quite nice shots.

Torver grey

Finally deciding it was time to move on from my obsession with Holme Fell I tried a new area for the first time. Driving north alongside Coniston Water in the Lake District I had several times thought it was worth a look and today was the day. Just to have a look. The weather wasn’t promising and I didn’t know the area well. Continue reading

First shots with my new lens

Langdale Pikes
Langdale Pikes

This was the first day’s shooting with my new Panasonic lens for my Olympus OMD-EM10 and I was excited by it. Also the first time I’ve been able to try using my Lee neutral density graduated filters with the Olympus and I was interested to see how that would work ( here’s how it worked) .

The weather turned out fantastically well and I went back to my current-favourite place – Holme Fell again. I hope you’re not bored with shots of the Langdale Pikes and Fairfield.

The sunset was glorious, though lacking any clouds to add drama, but the larch trees were lit up in flame. After the sun had gone I kept shooting to get some of the lovely mauve colours on the landscape.

Fairfield and Helvellyn
Fairfield and Helvellyn

I’m impressed by the quality of the new lens. Better than my Pentax, more consistent than the old Olympus lens I had on the OMD. Not bad for £80. I also took some shots with the Pentax, which have quite a different look to them though whether you’ll notice is doubtful.

Using graduated ND filters on mirrorless cameras

 

_IGP8946I wrote about my new lens a couple of posts ago. One very useful side-effect is that it has a 52mm filter thread which just happens to be one of the sizes I have of Lee filter system adapters. This means I can finally use my Lee filters on my Olympus OMD-EM10, especially my neutral density graduated filters. Ever since buying the Olympus with the kit pancake lens, which had an absurdly small 37mm filter thread, the fact that I couldn’t use the ND grad filters on that lens was the main reason I carried on using my Pentax. No longer. I went out yesterday and shot for the first time with the new lens and using ND graduated filters on the Olympus.

It didn’t work quite the way I thought it would. On an SLR you look through the viewfinder and use the depth of field preview feature to stop the aperture down so you can line up the filter and get the light/dark transition in just the right place.

I tried this on the Olympus. Out of the box it doesn’t have a dedicated DoF preview button but using the ability to assign functions to buttons I have assigned DoF preview to the video button (red button on right of top plate). However, as soon as you slide the filter down to line it up while stopping the lens down, the display (which of course is an electronic live view) compensates for the effect of the filter and brightens the scene.

What I found instead to be more useful and practical is to set the display to show red flashing on any over-exposed areas. Then slide the filter down until all the red flashing areas (presumably in the sky) disappear. Then you can increase the exposure (shutter speed or aperture) until just before the red flashes reappear.

This may actually be more accurate than it is on a normal DSLR with optical viewfinder. It certainly seemed to work well yesterday.

This is likely to push my Pentax right to the bottom of my bag and I expect nearly all shots from now on will be Olympus shots.

On Sharpness

I talked a few posts ago about our perceptions of image sharpness. I illustrated that post with an example of extreme sharpness – showing the amazing level of detail available even hand-held from my Olympus OMD-EM10 and its tiny and cheap kit lens.

A view of Skiddaw shot using the Olympus OMD-EM10 "high grain with pin-hole" scene mode.
A view of Skiddaw shot using the Olympus OMD-EM10 “high grain with pin-hole” scene mode.

This time I want to go to the other extreme. The shot above was a result of constraining myself to shoot JPEG only on a day of uninspiring bright sunshine. In real life this was not an attractive scene. A water pipeline is being layed and the project has created an ugly scar on the landscape. The light is flat and uninteresting. However the shapes are strong. The S-shaped curve of the pipes and track leading up to the mountain range and with the aircraft contrails fanning out at the top.

I used the Olympus’ “High Grain” scene mode, with the addition of “pin-hole effect” which has created a strong vignette. I find the results work quite well, though quite different to my normal style. Here’s another shot taken a short while later. The scene is more my usual thing but the light and haze made it a boring conventional shot.

Using Olympus High Grain scene mode
Using Olympus High Grain scene mode

The point of this post, though, is that the effects have removed much of the technical sharpness from the shot. Looking at it at 100% magnification gives the authentic impression of poor quality film shot through a poor quality lens from a hundred years ago. However this becomes irrelevant because of the strong subject and composition. If anything, sharpness and technical quality might have distracted. As it is, it becomes easier for the viewer to see the strong abstract shapes but still keeping the atmosphere of the landscape.

I was speaking about this subject to someone recently and they said that when you’re concerned about the lack of sharpness in your picture it’s because there’s nothing to hold your attention in the subject and composition. I agree. Probably all modern cameras are capable of giving good quality results. If you’re worrying whether your camera or lens are sharp enough then pay more attention to the fundamentals – subject, composition and light.