I wrote about iZettle some time ago when I got myself an iZettle credit card reading device. I was delighted with it at the time but I had taken a chance because officially my phone wasn’t a supported device. This finally bit me, as the card reader became increasingly unreliable and finally just didn’t work. Fortunately, the customers were patient and I didn’t lose any sales but it couldn’t carry on.
So I checked with iZettle and I’ve spent £70 on a new, bluetooth-connected, iZettle reader.
This worked first time out. Set-up was easy and in fact, compared to the previous model, this one is almost instantaneous in use. I no longer need to engage the customer in polite chit-chat while we wait for the swirly image on the phone to indicate “ready”.
In use, it’s basically the same as the old device except you don’t need to plug it into your phone. I’ll write again if I have any trouble with it but for now I’m going to be optimistic and assume it will work.
Don’t forget (assuming you already knew) I’ll be at the West Didsbury Makers’ Market this sunday, selling my wares. Forecast is bright and breezy and the Didsbury market always has a nice atmosphere so if you live nearby, come along and say hello.
Phew! Since swapping full time office work for a new business as a full time landscape photographer I’ve forgotten what it’s like to work hard. Now I remember. I’ve just done three art markets in a row. Fill the car full of stock and display gear. Hump it from car to market, unpack, set up. Stand in the freezing cold for ten hours. Tear down, lift and carry, unpack. Make more stock for the next day. Repeat. I can’t complain though because the time actually at the market is such a lot of fun. Two more markets this week, thursday and friday with Makers Market at Spinningfields. Looking forward to it!
I’ve booked a place at the St. Gemma’s Leeds Art and Photography Exhibition in October. I’ve chosen a set of eight shots from my recent Porth Or trip, which you can see again here. They look fantastic framed and I had them on show at my last art market and the response was really good (which means I’ve got some more framing to do!).
I’ll be at the Cumbria Photography Show this weekend, with a specially selected set of pictures focussing on mountains but especially Cumbrian mountains.
I’ve done some printing and mounting of shots I haven’t shown before. Getting stock ready for exhibition is, without doubt, the hardest and most tedious part of the job. I’ve spent about six hours in preparation today and what I’ve done is:
Added hanging wire to four frames
Mounted and wrapped four medium-size prints
Printed three small prints
…and that’s it. In six hours. I’m sure some people must be more productive than that. There is better mounting equipment I could buy that would make things faster but I have to sell a lot more before I can invest any more. Here are some pictures of the process.
I start with full size sheets of mount or backing board. These are too big for my small mounting machine so at this size I have to do the first cuts by hand with a ruler that isn’t big enough for the job. Note the piece of gear every printmaker needs – a very large sheet of cardboard as a sacrificial piece underneath. Also note the table isn’t big enough for the full cut either. See why I’d like to invest in more equipment?
With the backing board and the window mount cut (using the mounting machine) you place the print and attach to the back with T hinges.
Then add double sided tape which will hold the window mount to the backing board. Some (most) people use a single piece of tape to hinge these two together, making it easier to access the print. I like my method as it makes for a much sturdier product that will stand a lot of handling.
Here are some special custom-made mounting tools. A nice heavy paperweight and a Tokina 70-200mm lens, in Pentax A-mount, wrapped in a sock as a second paperweight.
I sign the print in the margin and add the title, using a pencil (an “H” pencil) for this kind of matte paper. I also put a white label on the back with extra information. People looking through prints in the print browsers usually turn them over to see what’s on the back, so this label gives them something to read.
Finally, the prints mounted and wrapped in cellophane ready to sell.
I’m really looking forward to the show. I don’t think I’ll sell much. The audience will be mostly photographers and photographers aren’t likely to buy other people’s photographs, but I think there’ll be some really interesting people to talk to.
I had a great day at the Artsmix market in Leeds a couple of days ago. I’ve made a new set of framed pictures using my more recent mountain shots of the Lake District and Snowdonia and they looked absolutely great. I’d also got some nicer display gear and on the whole the stall looked fantastic (IMHO 🙂 The new stuff got a really good reaction and I sold a couple of them. The bonus was that nothing got broken or damaged by weather!
Not surprisingly I forgot to take my camera (again!) and took this shot with my wife’s smartphone.